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The ShelfWilliam Shakespeare

Macbeth

In one sentence: Shakespeare's tragedy, written around 1606, follows a Scottish general who wins fame on the battlefield, kills a king on his wife's urging and a witches' prophecy, and spends the rest of the play consumed by the ambition that put him on the throne.

Overview

Macbeth and Banquo, fresh from a battlefield victory, meet three witches on the road home who prophesy that Macbeth will be king and that Banquo's descendants will be kings after him. Lady Macbeth pushes her husband to kill King Duncan in his sleep and frame the drunken guards. Once the king is dead, Macbeth kills the guards too and takes the throne, then sends killers after Banquo out of fear of the prophecy about his bloodline; Banquo dies, his son Fleance escapes. Macbeth returns to the witches for more answers and gets three new prophecies: watch out for Macduff, no one born of a woman can harm him, and he's safe until Great Birnam Wood marches on his castle. He has Macduff's entire family slaughtered, and his wife, consumed by guilt, kills herself. When Malcolm's army disguises itself with branches from that same wood, Macbeth realizes the prophecy was literal and misleading all along. Macduff, born by what would now be called a C-section, doesn't count as "of woman born," and beheads him; Malcolm reclaims the throne. This is a stage tragedy driven by prophecy, soliloquy, and onstage killing.

What makes this play worth sitting with is its refusal to reduce Macbeth's fall to a single choice. Lady Macbeth lights the fire, the witches inflate his ambition, and the era's own code, that a man proves himself by seizing power no matter the cost, shares the blame too. But the play immediately undercuts its own excuse: Macbeth was already winning praise for butchering enemies in the opening scene, so the same violence society rewarded at the start is what damns him once he points it at a king. A competing reading lets Macbeth off the hook entirely, treating him as a puppet fate was pulling the whole time; the speech he gives after his wife's death, weighing whether any of it meant anything, reads that way. The witches' prophecies are all literally true and still completely misleading, closed off by a technicality nobody saw coming, the kind of claim that's honest on its face and still leads people somewhere false.

Source

Wisecrack's Thug Notes covers Macbeth in its 2013-11-12 episode, framing it as a classical tragedy about a once righteous badass whose unchecked ambition turns him into his own antagonist, naming his wife, the witches, and Scottish social norms as accomplices, then pointing out that Macbeth's violence was already being rewarded before the play even started.